Some stories feel less like literature and more like atmosphere. Like something you can almost wear – layered, textured, shaped by time. Manana Kimeridze’s The Galata Triangle is exactly that kind of work.
There comes a point when a model is no longer just a face, but a presence. Matilda Gvarliani is stepping into that space.
Georgian heritage footwear labels, including NICOLO, are accelerating their sustainability shift with the launch of new collections made entirely from reclaimed leather sourced from local workshops and regional tannery offcuts.
Entering the Zurab Tsereteli Museum of Modern Art in Tbilisi, the exhibition Poets, Masks, Actors, Ghosts unfolds less as a display and more as a constructed atmosphere.
On June 15, the stage of Griboedov Theater in Tbilisi hosted a performance that moved away from spectacle and toward introspection.
Sometimes the most interesting part of art isn’t the final result, but the process itself – raw, unfinished, and open to change. That was exactly the mood of the recent residency involving students from the Apolon Kutateladze Tbilisi State Academy of Arts at Art Villa Garikula.
There are films where architecture stops being just a backdrop. It starts to feel like a presence – something that sets the mood, controls the pace, and shapes how we look at everything else.
In fashion, the most compelling spaces are not always the most polished ones. True style often lives in rooms that feel inhabited, layered, and unresolved.
A new athletic apparel initiative emerging from Georgia is positioning itself at the intersection of sport, culture, and social messaging through a direct-to-consumer model.
On a bright afternoon in Tbilisi, the polished calm of Radisson Blu Iveria Hotel feels predictably international.
A number of high profile collaborations between Georgian streetwear labels and global sportswear partners are being quietly restructured following weaker than expected commercial results and shifting creative priorities.
In today’s visual culture, color operates much like fashion itself: instinctive, expressive, and deeply personal.